This is the definitive catalog of an unparalleled collection of Indian jewelry and jeweled luxury objects made at the height of the Mughal empire and Deccan sultanates in the 16th and 17th centuries. The collection, widely regarded as one of the finest in the world, was assembled by Sheikh Nasser and Sheikha Hussa al-Sabah for The al-Sabah Collection, Kuwait, and reveals the beauty, sophistication and diversity of Indian jeweled arts. The Indian subcontinent is naturally rich in gems. From ancient times master jewelers developed a wide array of unique techniques and made it home to the most sophisticated jewels on earth.

This volume, the latest in the series on the treasures of The al-Sabah Collection, Kuwait, presents metalwork made in Multiple Islamic countries from the early Islamic period through the end of the Ottoman era in the nineteenth century. The pieces include exquisite platters, serving vessels, candlesticks, and pen boxes produced for royal courts, in addition to many beautifully decorated bronze domestic items, such as bowls, lunch boxes, door knockers, buckets, and lamps. The book was published in English and it includes documented definitions in Arabic of the art pieces depicted in the book, which amount to 350 color illustrations.

This catalogue features more than forty of the finest classical carpets created in Egypt, turkey, Persia, the Caucasus and India between 16th and 19th centuries, along with several important pre-Islamic carpet fragments. It describes this spectacular collection in the context of the history of Islamic art, recounting the fascinating stories behind individual carpets and celebrating their intricate designs and unparalleled craftsmanship.

This book features a unique collection of carpets and textile fragments from the pre-Islamic and early Islamic world. The Sasanian fragments fill a substantial gap in the early history of pile carpets, dating from the second to the eighth century AD, and make a valuable contribution of the understanding of local artistic traditions. The second half of the book is devoted to post-Sasanian and Sogdian silks dating from the sixth to the tenth century.

10th in a series of T&H publications on The al-Sabah Collection, this book provides the definitive catlogue of this outstanding group of games pieces, with more than 300 striking new images. Specially commissioned scientific testing has allowed many of these objects to be dated with precision for the first time. An additional section listing medieval chessmen from museums and private collections worldwide, some previously unpublished, adds a unique contextual dimension.

The al-Sabah Collection, Kuwait, houses one of the world’s most spectacular collections of ancient silver vessels and other objects made of precious metals. Dating from the centuries following Alexander the Great’s conquest of Iran and Bactria in the middle of the 4th century BCE up to the advent of the Islamic era, the beautiful bowls, drinking vessels, platters and other objects in this catalogue suggest that some of the best Hellenistic silverwork was not made in the Greek heartlands, but in this eastern outpost of the Seleucid empire. 6th in the T&H series on TASC.

The al-Sabah Collection, Kuwait, holds a spectacular array of ancient textiles that were made in Islamic lands and traded along the Silk Road. The majority range in date from the 9th to the 15th centuries CE and were reportedly found in the cave of Samangan province in northern Afghanistan. The collection presented here comprises some 400 garments and textile fragments of exceptional beauty and variety, reflecting the many strands of influence along the Silk Road: Iranian, Chinese, Central Asian, Syrian, Greek and Indian, among others.

Persian miniature painting is among the most well-established and celebrated traditions of Islamic art, valued and treasured throughout the ages in the Eastern and Western worlds. This volume, 7th in the T&H series exploring The al-Sabah Collection, catalogues more than forty extraordinary Persian illuminated manuscripts, miniature paintings and elaborately decorated bookbindings dating from the 11th century CE through to the early 20th century.

This spectacular collection of nearly 200 jewelled weapons and priceless accoutrements from the Indian subcontinent was assembled over many decades. Produced for aristocratic patrons who valued the arts, these richly decorated edged weapons and other princely objects bear witness to the legendary opulence and refinement of the Indian courts during the sixteenth to the nineteenth centuries. The 9th edition of T&H series on TASC, this is a dazzling celebration of one of the world’s greatest collections of precious weapons.

First in a T&H series about The al-Sabah Collection and the first major study of the subject in over seventy years. Glass objects rarely bear inscriptions that provide vital information, and being so readily portable, they have throughout history been carried far from their place of origin. This book is a catalogue of 500 objects & fragments with hundreds of colour photos & drawings revealing the splendour of Islamic glass

2nd in the T&H series about The al-Sabah Collection, this book is a comprehensive history of ceramics from Islamic lands. With detailed descriptions of over 400 objects, 900 colour photos, this great private collection is able to portray the unfolding story of Islamic pottery over its fascinating thousand-year history. It was awarded ‘Outstanding Academic Title’ from Choice.

A study of Dar al-Athar al-Islamiyyah collection of Water Jug Filters and seals that were used to cool drinking water in the summer in Egypt and other eastern provinces. This study is divided in two parts. The first part accentuates the importance of the city of Fustat, and the second discusses the window collection at DAI.

This 1989 study of Islamic tombstones held in The al-Sabah Collection provides extensive information about the documentative nature of such pieces. The book also looks at the historic significance, intrinsic beauty and the craftsmanship involved in creating each tombstone.